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Judas Priest - Defenders of the Faith - Reviews - Encyclopaedia Metallum: The Metal Archives

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In particular its suspenseful bridge with Halford's high-pitched screams and the ultra-effective chorus reflected the compositional talent of the formation. They still wrote them, true, but they didn't release them. So, after perfection itself, half man, half machine… what album comes in second place for us speed freaks? The best part is, again, Halford's singing.

This record is the ground-work for so much dual lead guitar playing. However, Priest are usually regarded as "pure" heavy metal. Note: This is ONLY to be used to report spam, advertising, and problematic harassment, fighting, or rude posts. TheHumanChair , May 10th, One of the greatest qualities that stands out when talking about Judas Priest's work in the 70s, specifically the S trilogy, is that it was the band at their darkest in terms of sounding, in fact that gloomy, semi-gothic aspect to their tone is something that would never be recreated except for brief flashes in their long career, "Defenders of the Faith" has no such factors or adjectives, but it has a darkness of its own that makes it stand out from other Judas Priest albums of the 80s.

My dear blockheads, the best things in life are the simple things: a well-tempered drink, a kiss of your girlfriend if one exists , some heavy music and so on. That was the 70's, baby. Ironically, this was mostly due to the glam metal acts from the same period, which had a lot more in common with hard rock than "pure" heavy metal. Like "I understand and can appreciate what you are doing here" -type of thing.

Granted, I still enjoy that album to a degree, but couldn't they hear the spark of something so intense here? Firstly, I've always had a soft spot for the tears-of-nostalgia inducing call to revolution "Rock Hard, Ride Free". Eat me alive Defenders of the Faith is another essential metal classic from the Priest.

Just fade the album out after "Night Comes Down. Second-hand embarrassment? While "Screaming for Vengeance" is FAR, FAR better than the album that came on the other side of "Defenders of the Faith," it still makes this record feel like it was just an explosion of every ounce of good ideas the band had during this decade in one big bang.

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Its small flaws aside, Defenders is a great record that any metalhead should be proud to own. It suffers largely from annoying 80's cliches that renders almost half the album comletely uninteresting. Whereas Screaming has a more simple sound, Defenders seems to trade catchiness for a speedy, more technical oriented music, featuring the well-known qualities of their 's stuff e. They generally don't believe I'm serious until I talk about Rob Halford and let them really look at the lyrics.

As it happens with other bands possessing large discographies, there're several distinct groups of Judas Priest fans defined by their preference towards a given style of the band. In "The Sentinel", "Some Heads Are Gonna Roll" and "Jawbreaker", they really let themselves dash all over the fretboards, whammy bars and all, with the sort of excess you'd expect out of a guitar hero like E. I recall watching one of their live concerts on TV from this era, and Tipton definitely had more of an arrogance to him on stage than KK had.

I think there should be a bit more something there.

This topic has been locked. Rock Hard Ride Free lightens the mood a bit with a more rock approach.